Here is news on a new exhibition taking place in the Bronx Museum of the Arts.
Video and Photographic Installations, Paintings, and Drawings shed light on Downey’s Career
Bronx, NY, October 25, 2011 – Beginning February 9, 2012 The Bronx Museum of the Arts will present JuanDowney: The Invisible Architect, the first U.S. survey of the pioneering video artist Juan Downey. On view through May 20, 2012, the exhibition brings together more than 100 works from Downey’s expansive career, from his early experimental work with art and technology to his groundbreaking video art from the 1970s through the 1990s, the exhibition will include drawings, paintings, video and photographic installations, and the artist’s notebooks, which have never before been on view.
“Downey revolutionized the field of video art and pioneered an art form that has had continued relevance for contemporary artists working today,” said Bronx Museum of the Arts Director Holly Block. “As a Chilean, Downey maintained a connection with Latin American culture throughout the many decades he lived and worked in New York. These dual influences give his work a special resonance with the Bronx Museum and with our community. In addition, Downey has exhibited at the Bronx Museum before, making this exhibition a homecoming of sorts.”
Formally trained as an architect, Downey began experimenting with different art forms when he moved from Paris to Washington DC in 1965. He developed a strong interest in the concept of invisible energy and shifted from object-based artistic practice to an experiential approach, seeking to combine interactive performance with sculpture and video, a transition the exhibition explores. Downey quickly established himself as an avant-garde pioneer of video and technology art and for the next two decades began to explore invisible forms of energy and communication, describing himself as a ‘cultural communicant’ and an ‘activating anthropologist.’
Juan Downey: The Invisible Architect will feature two of Downey’s best known series: Video Trans Americas (VTA), begun in the late 1960s; and The Thinking Eye, begun in the 1970s. VTA features footage of indigenous people he met on his journey through North and South America. The Thinking Eye is a two-part work that includes Las Meninas (1975) a meditation on Diego Velazquez’s masterwork of the same title, and The Looking Glass (1981), which explores the idea of reflection in western art, including in Holbein's Ambassadors and Velazquez's Las Meninas. Both Video Trans Americas and The Thinking Eye series highlight Downey’s preoccupation with political discourse, the self, the history of art, western civilization, and Latin American identity. Both works evidence his fascination with identity –his own as well as that of the various indigenous cultures he encountered – and his attempt to understand his identity within the context of western culture.
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